Undercurrents is a nonfiction film examining the murder of Danish journalist Kim Wall and the ensuing trial, told through an honest, unsensational lens. Reflecting this tone, the graphic design adopts a restrained and respectful approach. The visual system is anchored in a clean, modern design language - emphasizing clarity, neutrality, and precision. This aesthetic extends seamlessly across multiple mediums, from maps and social media graphics to on-screen text messages.
The opening sequence draws inspiration from the physical environment and the public mood surrounding the murder. Sweeping vistas of Køge Bay transition to increasingly claustrophobic underwater shots. Elements of Kim's life and work sink to the depths.
Social media, text messages, and emails played a significant narrative role throughout the film. Each piece of digital content was thoughtfully integrated - either placed within contextually relevant environments or presented in clean, minimal digital spaces.
Images of Kim's killer, entrepreneur Peter Madsen are highly treated with ink and water effects. The destruction of the image equivalent to his impact on Danish society.
This alternate title treatment draws inspiration from a quote comparing Peter Madsen to a dark, inky liquid seeping through and consuming the city of Copenhagen. The visual interpretation reflects that metaphor—atmospheric, ominous, and slowly enveloping.
